There are very little things that give me good chills nowadays. And one of those things happens to be post-mortem photography; A practice that was once very common and socially normal in the US. Today, the thought of your deceased loved ones being physically handled to pose for pictures seems rather morbid and disrespectful.
I love old photography (amongst other old things like antiques) because the items or the subjects in the photographs are proof in my hands that these things once had a life, saw day to day in a whole different perspective. Almost as if the past is still alive in these things. It’s creepy and eery in a way as well as very compelling.
Which is why I was happy to pose again, with my good friend Rachie Tartz, for Sean Jenx for his most recent project, Memento Mori
If there is a god, it can be found through aesthetics. This higher power speaks through the artist and we are its scribe. I have always been fascinated with the idea of capturing the true essence within a photograph, the possibility of taking an element essential to life and breathing it into an aesthetic experience for the viewer. Inspiration for the imagery lies in Victorian post-mortem photographs and photographs capturing occult practice. The ability to capture essence has always been an alluring and haunting concept. To this day there are cultures with a reasonable fear of the camera and its inherent ability to lure the soul from its resting place with promise of permanence and bind it forever in silver nitrate. Throughout my life there has been a reoccurring theme and this is emulated through the work that I do. Each image is housed in resin, with its own sarcophagi containing a plaster death mask of the deceased. This series of images is a celebration of catharsis. Some of the most intense possibilities become reality in those final moments. I know that personally, I have always been fascinated with the human crux within a photograph, the possibility of taking an element essential to life and breathing it into an experience for the viewer. - S Jenx
